In 1995, retired captain Vadim returns from Romania with his fiancee Yulia to his homeland and falls into the hands of bandits controlling the town. Already on the roads of the motherland, which got out of socialism and got stuck in a mafia swamp, they witness a robbery by a gang in a police uniform of a bus with "shuttles".

Dr. Ádám Koltay flees the city. Although he is the darling of society, he has grown weary of the emptiness of social life. He tents in the pure, unspoilt world of the snow-covered mountains, but on his first day, an unexpected event occurs: he must save the life of a young girl who has fallen off a cliff. In gratitude, she offers him an invitation to join the hustle and bustle of a nearby noisy resort, but Adam steals a kiss from her instead. Eve vows revenge, ready to do anything to disturb his peace.

Once upon a time, in the seventy-first year of the last century, the relived two bureaucrats in Moldova: the First Secretary and the Second Secretary of the Communist party. The Second Secretary was more important than the First Secretary, since he had befriended the Tsar of the whole Soviet Union - Leonid Brezhnev. The Moldovan Republic is preparing for a visit from the great Brezhnev when Lautar, a poor musician, finally gets up the nerve to ask the local gypsy Baron for his daughters hand in marriage. To everyone surprise, the baron gives the couple his blessing, but on one condition: that Lautar acquire Brezhnev's personal limousine as a gift for the bride, and that Brezhnev come to the wedding

In Mirai (The Abyss), Gabriel Andrés De Simone works with striking economy, drawing on the visual and affective world of Ghost of Tsushima to shape a compact meditation on conscience under pressure. Beginning from a textual intervention, the film opens onto a reflection on what prolonged exposure to violence does to judgment, feeling, and moral resistance. Its brevity gives the work concentration. De Simone introduces friction into the game’s dramatic logic, shifting attention from action to aftertone, the emotional and ethical residue left once repetition has drained experience of its force. What happens when violence no longer registers as rupture but begins to organise the atmosphere of experience? Mirai (The Abyss) addresses that question with notable precision. Its mood is one of quiet corrosion. The work draws its force from restraint and from the sense that deeper forms of transformation often occur incrementally, through attrition. De Simone uses the game world to think through the dulling of response itself: the dangerous normalisation by which the intolerable becomes ordinary.

A coming-of-age tale of two boys trying to survive amidst rampant corruption and gang violence.

Winter 1968. Historian Dr. Dallow is released from prison. He is still trying to cope with and understand why he was put behind bars for 21 months for defamation of the state. His supposed "crime:" for five minutes he accompanied a cabaret chanson on the piano. The film shows what "ordinary socialism" was like, letting the audience feel the threat under which the people in the GDR had to live over many years.

16岁的Rae Earl为人风趣，喜欢音乐。基本和普通这个年纪的女孩并没有什么不同。当然，除了，有那么一点胖。因为这一点，她常常给同学叫做“胖妹”，也因为这点，她有时很害怕和外界接触，总是独自呆在家里。有时还会因为 这个原因和独自抚养她长大的妈妈吵架。但这个胖姑娘还是和普通女孩一样，看到帅哥会犯花痴，遇到陌生人会有那么些尴尬。最重要的问题是，Sharon刚从一个特殊的地方回家——精神病院。但她答应了自己和妈妈一切都会好起来，她要勇敢的对面生活的爱情。究竟这个胖妹会带来一段如何经常的生活日记呢？

The story revolves around a 34-year old, workaholic detective who is burnt out, having immersed himself in an investigation involving the ruthless murder of nine girls. He managed to capture the killer, but his emotions get the better of him, possibly jeopardising the trial. His boss sends him away to cool down, and he ends up in a small town in the middle of the Karoo. Here, he meets a passionate and beautiful woman who is dying of cancer. His only goal is to fight boredom until he is allowed to resume his detective duties, while her dying wish is to dance one last tango before her life is over. He reluctantly agrees. Meanwhile the murderer wakes from his sedation and puts his plan for revenge into motion

Family troubles, reproaches from acquaintances for stupidity and inability to live, illness of children, death of his wife brought Kirill Kiselnikov down. Flattered by a bribe, he commits a forgery. Betrayal of ideals is costly: the unfortunate person loses his mind. And that is not all…